Richard Whitehead

The talk we had with Richard enlightened me on what Editorial photography work generally is and could look like. Richard himself said that "Editorial photography is work that supports the written work that comes along side it" which explains it simply and easy to understand. He also gave us a task in between looking at his projects, which were what practical considerations were involved in his editorial work. It was clear to see that a lot of planning goes into his work including research and what influences the style of the subject and who and where it is.Also the kit that he used, which I found useful to hear a photographer who explained his profession, down to the details of the importance of cleaning your kit the night before is, showing the little things like that are also crucial, adding to the how the photographs will eventually turn out. He also explained how social interaction and 'looking' is probably the most significant element of the job. The fact of looking around you did not jump out to me at first as being the number one part of being a photographer because of how obvious it is, but really is where the reason and generation of what the final result of the photograph will be because of 'looking'  and how it presents where the idea comes from. Social interaction plays a big part of any work that involves people, as communication can help create the final image that could result in a great photograph's from setting a friendly atmosphere with who you want your subject to be. Other important factor's he explained was practical documents and objects that should be with you when photographing whilst travelling: Insurance, Verification I.D, Model release forms and waterproofs for yourself and kit. Richard's work was really impressive, and inspired me to want to travel and do something similar with photography. I personally admired his work on Fuji and his exhibition called Brick Lane.

Fuji

Brick Lane

All images were taken from http://www.richwhitehead.com/